UHHH. I genuinely did write this the week everything premiered (the week of September 18th, I think? Ahhh), but I took a pause to write about The Good Place and Madam Secretary and then life got busy and stressful and this sat in my drafts. Anyway, I’ve left out those two shows and will write about them at a later date.
Star Trek: Discovery
I only caught the episode of this that premiered on actual TV (the rest of the series is a streaming exclusive on CBS All Access), but I thought it was pretty good! It’s certainly a very different kind of Star Trek series from what we’ve seen before, but then so was Deep Space Nine and that wasn’t a bad thing (or so I’ve heard; I never watched past the first episode).
What really worked about the episode for me was that although it was gussied up with fantastic production values and some fancy sequences, at its core it was a plot about an unexpected problem and the characters trying to find a way to solve it in a way that mostly came down to arguing their different sides. Maybe it wasn’t as cerebral or philosophical as previous series, and it certainly had a stronger theme of insubordination and character confliiiict, but I still appreciated watching an episode of television that was focused on characters debating an issue.
What I’m not sure I like as much is how focused in on one character the episode was. The idea of the show is that Michael Burnham is not the captain of a ship but is the straight up protagonist, and I think that’s fine–but since this episode doesn’t take place on the primary ship of the series, there really wasn’t any time spent developing the crew. The ship’s captain, Michael, and the next highest-ranking officer were really the only characters in the episode (excluding the Klingons) and that felt limiting.
Still, I’m intrigued to see where the rest of the series goes, and while I probably wouldn’t have started the show without the main ship anywhere in sight, the first episode did set a fine enough basis for the rest of the series since it’s so centrally focused on Michael.
I’d never watched The Voice before Monday and Tuesday nights, and before that the only reality singing show I’d ever watched was American Idol back in the Carrie Underwood era, so what most interested me here was the contrasts between the shows. I think American Idol in later seasons got more into contestants who were already in music-related careers, but back when I watched it it was still (as far as I remember) mostly filled with hopefuls whose careers hadn’t started yet. That combined with the a capella auditions gave it a much more down-to-earth feeling, plus a lot more shenanigans due to the lower bar to entry.
The Voice, on the other hand, is way more on the “people who can already sing looking to get a break” side of things (although I’ve yet to hear of any The Voice contestant hitting mainstream success), which makes for auditions that are a lot more interesting to watch since there’s already a baseline level of quality. The added element of the judges having to compete to fill a set number of positions in their teams is an interesting wrinkle, too, adding a bit more strategy and gaminess to the audition process.
Anyway I’m sure the world needed my years-late and uninformed comparison between these two shows.
I only half-watched this but I’m not sure that really caused me to miss anything. Questionable politics aside (justified or not, watching the characters kill a dude and then move on like nothing happened creeped me out), this is a really dry procedural that somehow managed to feel underdeveloped both in its case of the week and in its characters. Pass.
This is Us
Half-watching this one, plus never having seen an episode before Tuesday’s season two premiere, definitely hurt my enjoyment of the episode, but man did this feel blah to me. The sentimentality seemed waaay too saccharine and the character conflict felt really dry and predictable.
Aaand there we are. That was really worth over a month of waiting, right?