What I’m Watching: Grace and Frankie

Continuing the saga of “everything I watch is a Netflix original” is–well, you can read the title. (It’s Grace and Frankie.)

Grace and Frankie

Searching for key art for this show turned up a surprising amount of stuff for Nashville.

Grace and Frankie is perhaps one of the most Netflix-y Netflix shows in its conception, not because of its tone or quality but because of its subject matter. Since most TV shows are funded based on advertising and advertisers only really care about the 18-49 demographic, you don’t really get many shows focusing on older characters. Netflix, on the other hand, doesn’t care about advertisers, allowing it to greenlight shows regardless of what demographics might be interested. So one of the results of that is Grace and Frankie, a show that’s very directly about issues that affect the above-60 crowd.

And it’s a pretty good show, too. There was something strangely captivating about the first season especially, as the show is billed as a comedy and its plots work like comedy plots, yet season one felt mostly devoid of actual jokes. Like, it wasn’t just that I didn’t think it was funny, it was that the show didn’t even seem to be trying to be funny. That’s really not something you get much in TV and it was really interesting to watch.

Season two and the recently-released season three play it more regular, though, with clearer (and very funny!) humor. It’s one of the more pleasant shows I’ve watched in recent memory, too–even when it’s emotional there’s a sort of low-key vibe to it that keeps it from being too stressful. The biggest exception was at the end of season three where the show played an anti-gay protest for laughs. That really didn’t work for me; closeups of clever signs isn’t very fun when the signs are hateful.

What does really work for me, though, is how the show handled its central premise. (Which is that the titular Grace and Frankie’s husbands, Robert and Sol, leave them for each other.) I was worried going into the show that it would minimize Robert and Sol and basically just use them as a prop, but instead they’re main characters and both sides of the divorces are given very fair treatment. Grace and Frankie are very understandably hurt that their husbands lied to them for decades, but the show also notes the hurt of Robert and Sol in having felt the need to hide their relationship. Everyone is allowed to have their feelings and the situation is generally recognized as one that kind of sucks all around.

The friendship between Grace and Frankie is handled really well, too. I think a lot of shows with odd couples struggle to pace the characters’ relationship, either making them too friendly too quick or holding onto the animosity for too long. Here, though, the development of Grace and Frankie’s relationship is handled perfectly: they still argue and clash by season three, but they also recognize each other as their best friend, and it makes for a really interesting, sweet friendship.

So, yeah, this is a really pleasant show and I really enjoy it. Glad it’s already renewed for season four!


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