Uhh, let’s start this post with a big ol’ “I’m white” disclaimer. I’m going to avoid delving too deep into the way the show engages with racism, but nevertheless everything I write here should be taken with a grain of salt as I don’t have authority on the subject. (I probably wouldn’t write this post at all if I had any meaningful audience here.)
Dear White People is about a group of black students at a university and chronicles a couple weeks of their life as they grapple with the campus’ pretty crappy racial politics. The choice of protagonists is one of the areas where I think the show really succeeds, as you have Sam and Reggie who are on the more radical activist side, and then there are Troy and Coco who are more into appealing to the system and working within the establishment. By focusing on differing opinions on how to combat racism from within the community, the show avoids easy answers or clear villains and good guys. I get the impression you’re mostly meant to root for Sam and Reggie’s side (or at least I did), but the show acknowledges that there’s more nuance involved.
So while the character side of the premise is quite good, I think the plot side of things is where the show drops the ball a bit. There’s a lot of stuff happening in the show in terms of plot (and especially twisty revelations), but there is no one event that the show revolves around. This would be fine in normal circumstances, but Dear White People uses a structure where each episode focuses on a different character, with a bit of overlap between episodes. This format is best-suited, in my opinion, to narratives that focus on a singular event so that new details can be revealed as we switch to different characters, but because there is nothing like that the format sometimes feels distracting. Instead the overlapping is used to an inconsistent degree (and is more prominent in the early episodes), which comes across as, well, inconsistent.
I also wish the show did a little bit more with the way it inspects its characters through its format–again there’s an inconsistency to it. Lionel and Coco both get childhood flashbacks, while the others don’t; Reggie doesn’t even have any flashbacks that I remember; none of the flashbacks Sam is in are from her perspective; and Coco’s first focus episode is almost entirely a flashback to her Freshman year. There’s no real rhyme or reason as to who gets what kind of flashback or how these flashbacks are used to reveal information about the characters, and the end result is that the flashbacks feel like they’re used haphazardly rather than with real purpose.
Those are my only main issues with the show, though–otherwise I thought it was very strong. The characters deepen a lot beyond their basic archetypes over the course of the season and become really engaging, and I like the way the show doesn’t overtly tell the audience how they should feel about the important characters. I feel like my reading of various characters’ likability and morality is mostly based on my own opinions and could be quite different from someone else’s reading, which I generally I think is a good thing in fiction, especially in a character-driven story like this.
And then of course there’s the themes of social issues and activism that Dear White People puts at the center. I think the show does a really good job of exploring the complexities involved in activism and unlike a lot of politically-related fiction that I’ve seen, it doesn’t paint things in black and white or make its protagonists so obviously correct. The show also very deftly avoids feeling stilted when its characters discuss social issues, or like characters have been assigned opinions at random. Everything feels very natural, very effortless, in a way that a lot of fiction fails to be when tackling social issues.
I’m not sure the show is as good when it comes to issues other than anti-black racism, however. References to other forms of racism tend to be paired with the show’s flippant sense of humor in a way that feels dismissive of them Also, I don’t think the whole “supposed lesbian getting with a guy despite being engaged to a woman” thing was a great look, as either a) it’s portraying a lesbian as still being attracted to men, or b) it’s portraying a bisexual woman as a cheater. Both of those seem pretty bad.
There was a little more going on in the show thematically than just social issues, though, which I liked. There’s this recurring thing with the five protagonists being romantically involved/interested in someone they shouldn’t (or “shouldn’t”):” Sam is dating a white guy; Lionel is into Troy, who’s straight; Troy is having an affair with an engaged professor; Reggie is into Sam, who’s not single; and Coco is involved with Troy more because she thinks she should than because she wants to. And by the end of the season none of these relationships/crushes work out. I’m not totally clear as to what the show is trying to communicate–I wouldn’t really say that interracial relationships and gay guys being into straight guys are equally doomed–but I like that there’s an extra layer here.
Anyway, while I do have some quibbles with Dear White People, overall I very much enjoyed it and I think it nails the execution where it really matters. I should note again, though, that I really don’t have the authority to say whether the specific messages the show sends are correct or good, so my opinion of the show should not be considered particularly important.